Artistic Journey, Journal

From Sketches to Studio Walls — My First Steps into the Art World

Minister Francis Zammit Dimech viewing my Neo-Cubist paintings at one of the collective exhibitions

Looking back, I can still see the first pencil sketches I made as a boy — faint outlines, uncertain lines, but full of wonder. I had no idea then that those early marks would become the foundation of a lifelong relationship with art. They were simple drawings, inspired by the world around me, but to me they held the mystery and magic of creation. And they became my quiet refuge — a space of stillness and discovery.

 

As I grew older, life took me through a demanding academic path. I pursued engineering — a field rooted in logic, precision, and structure. It became my profession, and for many years, my primary identity in society. But art never left my side. It was always there, waiting for me at the end of a long day, or on quiet weekends when the world slowed down. In those moments, I would return to my paints, my canvases, and let emotion take the lead where logic once ruled.

 

People often ask me how I managed to balance a technical career with a creative pursuit like painting. For me, they were never in conflict. If anything, they complemented each other. Engineering gave me a sharp eye for structure, form, and detail — skills that translated beautifully into my compositions. Art, in return, gave me the freedom to express what could not be put into numbers or plans. It allowed me to bring feeling into form — to give soul to structure.

 

Over time, my confidence grew. I began to show my work, first privately, then publicly. I still remember the feeling of standing in front of my own paintings during my first exhibition — a mixture of pride and vulnerability. It wasn’t just about showing a finished piece. It was about sharing a part of myself with others. The response was promising. People connected with the stories my brushstrokes carried, the layers of feeling beneath the paint, and that connection gave me the courage to keep going.

 

From there, I participated in collective exhibitions, where I learned the power of dialogue between artists. Later, I began to mount solo exhibitions — carefully curated bodies of work that revealed my evolving vision. Each show became not just a display of art, but a conversation with the public, a chance to invite them into my world.

 

As I look back on those formative years, I realise they weren’t just about learning techniques or refining style. They were about learning who I was — as a man, as an engineer, and as an artist. I discovered that identity is not singular. It’s layered, like a painting built over time. And for me, each brushstroke has always been a step toward self-understanding.

 

In my next blog post, I’ll share how this journey evolved further — through curating exhibitions, collaborating with institutions, and eventually working with Italian art critic Marta Lock to reflect critically on my collected works. Her essays, and the projects I’ve undertaken in recent years, are not just milestones — they are mirrors through which I continue to see my artistic life with new eyes.

 

Until then, thank you for following along.

Exhibitions:

 

2024- RottArti 24 – Stamperija Indipendenza, Msdia  – 22 Sept – 6th October 2024

2024- The Sacred Arts Exhibition St Julians Band Club AD 1927- 22-30 March

2024-  Wirja Sagra- Parrocca Madonna ta Lourdes, Paola  March

2023 – The Wignacourt Museum, Rabat Malta – The Credit Card Collection -19 Dec 2023- 7 Jan 2024

2023 – The Wignacourt Museum, Rabat Malta – Rabat Sacrum – 23/24th September.

2023 – The Wignacourt Museum, Rabat Malta- Collection 2 (17th t-29th September)

2023- The Wignacourt Museum, Rabat Malta- Collection 1 (1st-16th September)

2023  Malta Cultural Institute Foundation-  The Imperial residence , Sliema 12th June

2022  Meandering Realms -Artist in Residence Cavalieri Art Hotel – (May 2022 to August 2022)

2022  Forgotten Malta -Artist in Residence Cavalieri Art Hotel – (Oct 2021 to April  2022)

2021  Of Structure and Deconstruction – Artist in Residence Cavalieri Art Hotel – (June -October))

2020- Artist in Residence exhibition at The Hotel Phoenicia in Valletta during October and November

2020 – Virtual Exhibition OPUS 20XX on www.raypiscopo.com

2019 – Exhibition Malta Cultural Institute Foundation, G F Abela Junior College 10 Nov

2019 – Malta Biennale Milano, Brera Site, Italy October 2019

2019 – Exhibition of works at the Eden Cinema Foyer

2019 – Exhibition at The Old Mill- Lija in conjunction with the Citrus Festival- Jan 2019

2018 – Exhibition with theme of Poverty and Vulnerability, Sta.Venera Malta (November)

2017-  1st Malta Film Expo, Centru Kreattiv, Valletta

2016 – Exhibition ‘Painting Hope’ at Hotel Sesmones, Cornegliano Laudense, Lodi Italy Sept-Dec 2016

2016 – ArtExpo New York 2016 – April 2016

2016- VIZJONI – Zabbar Sanctuary Museum. March

2016- Corinthia Marina Hotel for 3 months

2016 – MCI concert – Imperial Hotel Sliema – Feb 2016

2015-  ‘Iconically Hollywood’- Corinthia Palace Hotel & Spa, Attard – Nov/Dec 2015

2015- ‘Abstract Rhythms in Nature’ –Banca giuratale, Victoria, Gozo-  5 Dec – 28 Dec 2015

2015 – ‘Abstract Rhythms in Nature’ –Cavalieri Art Hotel 11 Dec 2015- 13 Jan 2016

2015 –  7th MCI Concert at the Le Meridien Hotel 12 April 2015

2015 – Exhibition at the Lourdes Parish, Paola

2015 – ‘Mara’   exhibition organized by AZAD, Valletta, Malta (10-22 March 2015)

2014 –  The Reasoning of the Imagination – Cavalieri Arts Hotel, Dec 2014  to Jan 2015

2014 – The Perfect Christmas Gift Fair, Corinthia Palace Hotel & Spa, 29/30 November 2014

2014 – ‘IDENTITA’ ‘ exhibition organised by AZAD, Valletta, Malta  (1-31 October 2014)

2014 – ‘Reaching to the Sky’ Art Exhibition at SkyParks Business Centre, Malta             International Airport,   Luqa, Malta (15 June – 15 Sept)

2014 – ADG Art Exhibition at the Cavalieri Art Hotel, St Julians, Malta ( 3 May – 30 June)

2014 – ‘Mors et Vita’ Art Exhibition, St Gaetan’s Musical Society Hamrun, Malta (9-18 April)

2014 – ‘Consumatum Est’ Exhibition at the Lourdes Parish, Paola (9 – 18 April).

2014 – Maria Regina Pageant Group Exhibition, Marsa, Malta ( 9 – 18 April)

2014 – ‘Italian Masterpieces and more…’ Art Exhibition at the Istituto  Italiano di Cultura, Valletta, Malta

2013 – ‘Beyond the Body…the Soul’ Art Exhibition at the Corinthia Palace Hotel & Spa, Attard, Malta

2013 – Malta Cultural Institute, Le Meridien, St Julians Malta

2013 – Art Exhibition at Is-Sagrestija, Valletta Waterfront

2013 – Art Exhibition at the La Vallette VIP Lounge, Malta International Airport

2013 – Art Exhibition of the China Cultural Centre, Valletta

2012 – ‘OPUS 2012’ Art Exhibition at the Hotel Cavalieri, St Julians, Malta

2010 – Art exhibition at Is-Sagrestija, Waterfront, Malta organised by the Marsa Local Council

2010 – Internatiionale Sommerakademie Venedig – Venice, Italia

2009 – Internaltionale Sommerakademie Für Bildende Kunst – Salzburg, Austria

2008 – 2nd Prize – Terzo Premio Internazionale di Arte Figurativa Piero della Francesca, Arezzo Italia

2008 – Radisson Arts Exhibition

2006 – Birzebbugia Local Council Exhibition, Malta

2005 – George Muscat & Friends, Ir-Razzett l-Antik, Malta

2004-  Wirja ta l-Arti, Palazzo De La Salle< Valletta

2002 – 4th Biennale of Contemporary Christian Art, Malta

2002 – Trade Fair Art Exhibition, Society of Arts, Manufactures and Commerce, Malta

2002 – Primera Esposicion, Barcelona, Spain

1998 – Art Exhibition, Society of Arts, Manufactures and Commerce, Malta

1997 – Art Exhibition, Society of Arts, Manufactures and Commerce, Malta

1996 – Birgufest, Malta

 

 

Artistic Journey, Journal

The Brush That Drew My Life

Ray Piscopo, HE President Emeritus Dr Ugo Mifsud Bonnici, Fr Marius Zerafa- ex Director of Museums

There is a moment in every person’s life when a calling reveals itself — not with noise or fanfare, but with a quiet certainty. For me, that moment came not once, but twice.

The first time, I was a young boy, discovering the joy of drawing, unaware that the simple movement of pencil on paper would leave an indelible mark on my soul. The second time was later, as a seasoned engineer, when I realised that painting had quietly accompanied me through the most intense years of my professional life, anchoring me with balance, purpose, and beauty. Art was not an escape. It was my companion, my spark — the stimulus that kept my mind alert and my creativity flowing even during the most demanding periods of my career.

I’m Ray Piscopo — a professional engineer by qualification, but an artist by nature. As I sit to write this, it feels like the right time to reflect. Not just for myself, but for those who have followed my work over the years, and for those who may just be discovering it now. Through this blog, I want to take you on a journey — my journey — through the formative episodes, the turning points, and the quiet decisions that made me who I am today: a man shaped by discipline, curiosity, and emotion.

This is not just about paintings or exhibitions. It’s about how art became my compass. How it evolved with me — from a quiet pastime to a lifelong passion, then into a professional calling that continues to energize my days, even in retirement from my engineering profession.

In the coming posts, I will share how I began painting, how I kept it alive during my years as an engineer, and how, once I stepped away from my career, art fully took over — not just my time, but also my mission. A mission to share the stories, emotions, and messages that dwell beneath the layers of paint on each canvas.

I’ve participated in countless exhibitions, both in Malta and abroad. I’ve curated and organised shows in collaboration with others, including a series of six exhibitions across major Maltese hotels as part of an artist-in-residence initiative. I was also involved in curating 26 exhibitions and took part in the Healing Arts Committee under Malta’s Ministry of Health — a project that saw the installation of 600 works of art across public spaces in Mater Dei Hospital. It was a beautiful testament to art’s power to soothe and uplift.

Recently, I invited renowned Italian art critic and curator Marta Lock to study and review my entire body of work. She went through hundreds of paintings, sketches, and drawings, categorising them into 22 thematic chapters and writing insightful critical essays for each. Her voice brought new dimension and structure to what had been, for years, a natural outpouring of emotion and technique from my studio.

All these milestones — the exhibitions, the reviews, the chapters of my artistic growth — are now being gathered into a new book I’m currently preparing. It will include over 600 paintings I’ve created over the past 25 years. A labor of love, yes — but also a visual and narrative record of my life’s journey.

This is just the beginning of what I hope will be a meaningful conversation between me and you, the reader. I invite you to join me in this unfolding story.

Thank you for walking with me.